Vinyl LP pressing. The phantom zone, the parallax, the upside down - there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood aka Natalie Mering, has designed her own universe to soulfully navigate life's mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising - which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album's willful expansiveness ("You can tell there's not a guy pulling the strings in Enya's studio," she notes, admiringly). The former relays her imperative to connect with listeners. "The clarity of Bob Seger is unmistakable. I'm a big fan of conversational songwriting," she adds. "I just try to do that in a way that uses abstract imagery as well."
TRACKLIST:
| A1 |
|
A Lot's Gonna Change |
| A2 |
|
Andromeda |
| A3 |
|
Everyday |
| A4 |
|
Something To Believe |
| A5 |
|
Titanic Rising |
| B1 |
|
Movies |
| B2 |
|
Mirror Forever |
| B3 |
|
Wild Time |
| B4 |
|
Picture Me Better |
| B5 |
|
Nearer To Thee |