As Greatest Hits-and particularly the busking pavement jazz of "Lovecats"-reminds us, the best Cure singles were very often tangential exercises; halcyon playtime divergences offering a Goth-free contrast to some of the weightier studiousness of some of those early albums. Or, as smudged frontman Robert Smith says of this 18-track collection, "Songs that are sung with a smile." This wasn't always true-witness the refrigerated fogginess of the classic "A Forest", the Blair Witch Project of it's day. What this compilation does is focus attention on The Cure's perennial unpredictability-the nursery school bonkers-ness of "The Caterpillar", the breathless claustrophobia of "Close to Me", the New Order-lite of "The Walk", the brass-section embellished thrust of "Why Can't I Be You". Oddly, chart-wise, The Cure's Lost Weekend began immediately after "Friday I'm in Love", their most ebullient melodic moment and the ultimate clocking-off to kick-those-heels! Anthem. But at least the inclusion of two new songs "Cut Here" and "Just Say Yes" (with Saffron from Republica) indicate that The Cure remain a healthy ongoing concern.
TRACKLIST:
| 1 |
|
Boys Don't Cry |
2:42 |
| 2 |
|
A Forest |
4:44 |
| 3 |
|
Let's Go To Bed |
3:34 |
| 4 |
|
The Walk |
3:31 |
| 5 |
|
The Lovecats |
3:40 |
| 6 |
|
Inbetween Days |
2:58 |
| 7 |
|
Close To Me |
3:41 |
| 8 |
|
Why Can't I Be You? |
3:14 |
| 9 |
|
Just Like Heaven |
3:32 |
| 10 |
|
Lullaby |
4:10 |
| 11 |
|
Lovesong |
3:28 |
| 12 |
|
Never Enough |
4:28 |
| 13 |
|
High |
3:35 |
| 14 |
|
Friday I'm In Love |
3:35 |
| 15 |
|
Mint Car |
3:29 |
| 16 |
|
Wrong Number |
6:01 |
| 17 |
|
Cut Here |
4:10 |
| 18 |
|
Just Say Yes |
3:29 |